Older parents and younger parents Essay Example | Topics and Well Written Essays - 1000 words - 1

Older parents and younger parents - Essay Example Arguments for younger parents focus mostly on the biological aspect of motherhood and the aspect of the biological clock is often invoked. A middle path is often more suitable with no norm being set that would miss the whole point of individual freedom. One of the main points that are used against older parents is their inability to handle the cognitive aspects of mental illness when it happens in children. This severely limits their ability to handle instances where their children are affected by mental ailments (Cook, et al.). There are however, advantages of being an older parent. In many cases, older parents have resources of financial and mental kinds that are useful and sometimes even essential for the purpose of parenthood. The stress that one goes through during parenthood can thus be eased to a great extent if one is independent and able to manage one’s finances on one’s own. Older parents are also considered to be more comfortable with each other and hence able to offer a better environment for the child. Older parents would thus not need to compromise on their marital quality so as to have a child (Needham and Umberson 439). This argument is similar to the feminist argument that an older woman would be emot ionally and financially readier for a child. This would also reduce the chances that a parent would suffer of regret that a parent may suffer in relation to his or her career. The feminist argument in this case is stretched to include fathers who are then seen to play an equal part in parenthood and in the development of the child. Older fathers and mothers are then seen to be more mature and hence better for the future of the child. The child is then seen as not a product of merely those factors that are hereditary but also those of nurture. In such a framework, nurture is what is considered, according to this view, more important. Younger parents are sometimes not considered to

Article Review of Organizational Culture Essay Example for Free

Article Review of Organizational Culture Essay It was not expected that the hierarchical model would be dominant given the previous attempt to change the culture. The altruistic values of those surveyed indicated they are committed to social development and public interests and are most comfortable with a hierarchical dominate culture. The sample size of 530 participants obtained from the Public Sector Directory was an adequate size. All of the executives in the directory were included in the survey, which suggests a less than random selection process for the final candidates. However, the six varied departments selected represented central coordination, infrastructure provision and social services. Although an almost two to one ratio of male to female employee responses were utilized, none of the demographic variables collected in section C of the three part survey affected the perceptions of the current culture. Sections A and B of the survey gathered information on character, managers, cohesion, emphases and rewards. Results indicated that Departments A – D preferred the internal process or group culture. Department E preferred the internal process model, but it was equally comfortable with rational goal model indicating goal fulfillment was a requirement. Department F results indicated a comfort level with the rational goal model most likely due to their interactive responsibilities with other departments. Forcing change from a formalized, rules and rewards based culture to a more flexible, decentralized culture could create individual-organization value conflict resulting in stress. Of the population surveyed only 191, 36%, was usable and the male respondents outnumbered the female respondents nearly 3 to 1. The survey, divided into three sections dealing with perceptions of the current culture, respondent ideal culture, and demographic information. The survey reviled 4 out of 6 public sector departments in the study held to the traditional model. The findings also suggest organizational culture is driven at the non-managerial employee level and the deeply embedded cultural values can’t be forced any form of management. The article mentions the constant state of transition is the Queensland government over a twenty year period; employees may value the stability and predictability of the traditional bureaucratic model. Base on the research and finding in the article, culture change must target the organization at the non-managerial level in order for the culture change to be effective. In order for Queensland traditionally bureaucratic organizations to embrace high performing teams, the change must address the needs of the driving force of the traditional model culture; the non-managerial employees. In forming high performing teams for the Queensland public sector, it is important to investigate the factors/components of those teams. Also, because most teams are unique in their goals and focus, there is no off the shelf solution for all teams (Davenport, 2001) and that there is no singular, uniform measure of performance effectiveness for groups (Guzzo and Dickson, 1996. p. 309). By creating a customized plan for transitioning, Queensland public sector can move from a control hierarchical organizational culture to a culture of change, flexibility, and productivity. The Queensland public sector was managed for so many decades using the top down management that the culture of the organizations productivity depended on it. The results of the study can be supported by the need for stability which can only be changed by small adjustment to small changes (Bhide 2010). The culture of the organization is controlled by political authority, so it was not surprising that a hierarchical process model was so deeply rooted in to the essence of the government employees who understood the leadership values (Goodwin and Neck, 1998). Organizations lack of understanding of their members caused employees to be less adaptable to change, and with that less productive. Employees will move to do only their specific functions and only respond to the tasks directed by their manager, which is contradicting to the desired results of flexibility, and supports the article results (Miller S 2009). â€Å"Beyond top-down and bottom-up work redesign†, explains â€Å"Authority is traditionally conceptualized as hierarchical†, but the informal authority operates day to day work of organizations. This proved to be true for the Queensland public sector with few exceptions such as a high commitment to the rules and the attention to details. These changes have also been achieved on a federal level with similar setbacks who still managed to overcome the existing dominant culture (189). Just because the organization is not dominated by the â€Å"new managerialist thinking† as stated in â€Å"Organisational culture in the public sector† article, Sting and Loch explain that this does not mean that there is not a need for a â€Å"bottom-up participation† which was part of the work environment before the values of the employees were, in a way, forced to be changed for unexplained reasons to them. As a result of such, this did cause setbacks in the cultural change that was attempted. Changing the value of a large group of people within the company is next to impossible when it’s so closely tied to their private beliefs such as the members of the Queensland public sector. In order to move from a hierarchical process model of an organization to a more flexible and change oriented one, organizations must first understand their employees preferred organizational structure, and then create a corporate culture which employees can slowly get accustom to. In the case of six organizations in the Queensland public sector, the transformation required a culture change from the â€Å"Mechanistic† to ‘Organic† organizational structure and this should have been done very slowly only after understanding the values of those involved. One easy way to get this information is to have employees perform a self-assessment. Because â€Å"a corporate culture is influenced by the industry in which the organization operates†, outside factors such as political control have to be considered in a path taken to change employees assumptions, values, and artifacts (McGraw-Hill Companies, 2002-2009). Before an organization can move from a hierarchical process to a more flexible one employees must understand the benefits of shifting their culture from â€Å"control† to â€Å"performance†, where their input is valued. Through our research and critical analysis of the six organizations in the Queensland public sector, it is evident to us that the paradigm public organizations are functioning in will not change easily. Though the employees have to be able to accept change and shift, employers must understand that the need to create an environment that fosters a corporate cultural environment is vital. Change is inevitable but a positive response to the change is not. Without the strategic planning of organizational leaders, we will continue to see results like we saw with the six organizations in Queensland; the entire organization has to be a part of the implementation, intimately, in order for it to be effective. Unfortunately, when employees of any organization settle for the â€Å"norm,† they will not only resist change but they will fear it.

What Technology Brings To Us :: Television TV Essays

What Technology Brings To Us I have selected television as my technology subject because, on a global level, television has the greatest impact on the largest number of people of all the technologies available to us today. I have found that television has become widely distributed for many reasons, the most important being the fact that television sets have become more affordable over the years. There is also a desire by poor people in poor countries to have the same gadgets that are owned by the people in rich countries and only television can satisfy that need. Television can also be the means by which all levels of government can communicate with their populations. Thanks to satellites, television signals can be received just about everywhere on the planet. In the Third World, a single television can bring people together in order to watch a program on the community-owned set. In less educated cultures, television must seem like magic and its magic can draw those people closer together for the common experience of seeing a TV program. However, that same technology in the hands of advantaged societies tends to drive people apart. In America, you can often find a TV in every room (and sometimes in the bathroom), and various family members can spend hours and hours watching their own programming preferences on their own TV sets and not interacting with each other at all except during meals. Even the dinner hour cannot guarantee family communication. Too often, after-school activities such as sports and other outside interests draw people away from a shared meal. Those who eat alone often do so with a television for company, thereby replacing two-way conversations with the toxins of modern television programming. Television unifies the poor and separates the rich. It is both an anesthetic and a pacifier but it is never a reliable source for the truth. Thanks to the wealth of this nation, American television has always had the resources needed to do very great things for the citizens of this country. It could bring profoundly important documentaries to the attention of those who are removed from those stories, it could teach children who have outgrown Sesame Street foreign languages and critical thinking skills plus it could easily spread the truth with each news broadcast. A higher level of entertainment could encourage more sophisticated tastes and cultural expectations. Instead, American television offers a disgusting collection of trash at all levels and that trash makes Americans a very proud but ignorant people.

Aspects of Poetry

To be able to explain the aspects of poetry to you all, I thought I would break the mini lesson down into two parts. It will help you understand the differences between a poem and a sonnet, and will make it easier to absorb all of the components involved. First we will start with a sonnet. Let’s start by talking about just what a sonnet is. â€Å"Before Shakespeare’s day, the word â€Å"sonnet† meant simply â€Å"little song,† i. e. , a short lyric poem† (poetry. about. com, 2010). By the 1200’s, the sonnet had come to be known as a form of poetry that is comprised of 14 lines.The first type of sonnet was the Italian version, also known as the Petrarchan sonnet. The Italian sonnet is separated into two segments by two different clusters of rhyming sounds. The first 8 lines are called the octave and it serves as the question. The remaining 6 lines are called the sestet. The sestet serves as the answer to the octave, or the question. Later we c ame to know the English version, or the Shakespearean version. The English sonnet differs from the Italian sonnet in the way is broken down. The English sonnet has four divisions, not two.You will notice the breaks between the divisions. The first three parts are called the quatrain, and the last part is called the couplet. The couplet is an observation of the first three parts, or quatrains. I will be breaking down the aspects of a sonnet. We will discuss the theme, the language usage, and the metaphorical references that are found within the sonnet that I have chosen. It was a tough decision, but the sonnet I chose to discuss is â€Å"How do I love thee? Let me count the ways† by Elizabeth Barrett Browning [1806 – 1861] Here is the sonnet:The first aspect we will tackle is the theme. Common themes can be related to love, death, war, and others. The obvious theme in the chosen sonnet is love and the sonneteer’s feelings towards her husband to be, Robert Brownin g. It is a beautiful sonnet and shows just how intense her love is for her partner. The second aspect we will discuss is the use of language in the sonnet, or figures of speech. You will regularly see the use of metaphors, similes, personifications and irony in sonnets.An example of a metaphor in this sonnet is when the author states â€Å"I love thee freely, as men strive for Right† she is comparing the depth of her love with the passion a man can feel when he is defending his rights and beliefs. On the very next line, the author uses simile by stating that â€Å"I love thee purely, as they turn from Praise†. She is sizing up her love with her faith, or religion. Lastly, I believe that the author displays personification when she writes that â€Å"the ends of Being and ideal Grace† she is personifying her love with life and religion.It is the main theme that pops from the sonnet. By and large, the sonnet is just a beautiful work that expresses extremely deep an d intense feelings about love for another person. I will be discussing the importance of word usage in poem. The poem I chose to discuss is â€Å"To My Dear and Loving Husband† by Anne Bradstreet [c. 1612 – 1672]. Word choice in a poem is the one key aspect to get the message across in a poem. I admit that there are some poems that you have to read over and over again to begin to get an idea of what the author is talking about.Anne Bradstreet created a lovely tribute to the husband and she is expressing just how deep and intense her love is for her partner. By using words that really bring home the powerful sentiments, the reader can comprehend almost immediately what the author is expressing. Bradstreet writes â€Å"I prize thy love more than whole mines of gold†Ã¢â‚¬ ¦. she is helping the reader understand how big her love is by making a comparison to a monetary concept. She also writes â€Å"My love is such that rivers cannot quench†Ã¢â‚¬ ¦. here she i s making a comparison of the extreme love she feels for her husband with a physical thirst that not even a river can satisfy.That statement is intense! Lastly, Bradstreet writes â€Å"Then while we live, in love let's so persevere†¦That when we live no more, we may live ever†Ã¢â‚¬ ¦. Such is the adoration for her husband that she is expressing that their love will continue even in death. Using an effective word choice in a poem will make or break a poem. It is the wording that will help get the author’s point across to the reader. â€Å"Words are capable of creating beauty or ugliness, creating mood, creating imagery, sounds, and smells† (Taylor, M, 2006). After reading this poem over and over again, I can say that I feel the love that Bradstreet is expressing.This is a great example of using the right words to get a point across. Whether you’re reading a poem or an epic novel, if you are not choosing the right words, you will not grab your readers.R eferences: Holman, B. Snyder, M. (2010). Sonnet. Retrieved from http://poetry. about. com/od/poeticforms/g/sonnet. htm Taylor, Marilyn. â€Å"Tips For Finding the Right Words. † Writer 119. 12 (2006) Warn, E. (2010). Anne Bradstreet: â€Å"to my dear and loving husband†. Retrieved from http://www. poetryfoundation. org/learning/poem-guide. html? guide_id=238168

Shadow Kiss Chapter 14

Fourteen ABOUT A HALF HOUR before my alarm was scheduled to go off the next morning, I heard a knock at my door. I expected it to be Lissa, but a sleepy check of our bond showed that she was still fast asleep. Puzzled, I staggered out of the bed and opened the door. A Moroi girl I didn't recognize handed me some folded clothes with a note attached. I wondered if I should tip her or something, but she left too quickly for me to react. I sat back on my bed and unfolded the clothing. Black slacks, white blouse, and a black jacket. It was the same ensemble that the other guardians wore around here, and it was in my size. Wow. I was about to become part of the team. A slow grin spread over my face, and I opened the note. It was in Dimitri's writing: Wear your hair up. The grin stayed on my face. A lot of female guardians cut their hair to show off their molnija marks. I'd reluctantly considered it once, and Dimitri had told me not to. He loved my hair and had told me to wear it up. The way he'd said it back then had given me chills, just like now. An hour later, I was on my way to the trial with Lissa, Christian, and Eddie. Someone had rustled up a black-and-white outfit for Eddie too, and I think we both kind of felt like kids playing dress-up with their parents' clothing. My cropped jacket and stretchy blouse were actually pretty cute, and I wondered if I'd be able to bring these back with me. The courtroom was over in the large, ornate building we'd passed upon arrival. Walking through its halls, I saw a mix of the old and the new. Outside, it was all arched windows and stone spires. Inside, it was a hub of modern activity. People worked in offices with flat-screen monitors. Elevators led to upper floors. Yet, despite that, a few antique touches could still be found. Sculptures on pedestals. Chandeliers in the halls. The courtroom itself had beautiful murals that stretched from floor to ceiling, and in the front of the room, seals from all the royal families hung on the walls. Lissa stopped as we walked in, her eyes falling on the Dragomir dragon. King of the beasts. A sea of conflicting emotions swirled within her as she stared at the seal and felt the full weight of being the only one left to carry on her name. Pride to be part of that family. Fear that she wouldn't be good enough to live up to the name. Giving her a gentle nudge, I urged her on toward our seats. The seating was split by an aisle down the middle of the room. We sat at the front of the right-hand section. There were still several minutes to go before proceedings began, but the room wasn't very full yet. I suspected that wouldn't change, due to the secrecy surrounding what had happened with Victor. A judge sat at the front, but there was no jury. An elevated seat on one side of the room marked where the queen would sit when she arrived. She would be the one who made the ultimate decision. That was how it worked with royal criminal cases. I pointed it out to Lissa. â€Å"Let's hope that she's against him. Looks like she'll be the only one making the decision.† Lissa frowned. â€Å"Not having a jury feels kind of weird.† â€Å"That's because we spent so much time around humans.† She smiled. â€Å"Maybe. I don't know. Just seems like there's a lot of room for corruption.† â€Å"Well, yeah. But this is Victor we're talking about.† Moments later, Prince Victor Dashkov himself entered the courtroom. Or, rather, just Victor Dashkov did. He'd been stripped of his title when he'd been imprisoned. It had gone to the next oldest person in the Dashkov family. Fear shot through Lissa, and the little color that was in her cheeks completely disappeared. Mingled with that fear was an emotion I hadn't expected: regret. Before he'd kidnapped her, Victor had been like an uncle to her – that was even how she'd referred to him. She'd loved him, and he'd betrayed her. I put my hand over hers. â€Å"Easy,† I murmured. â€Å"It's going to be okay.† His eyes, narrowed and cunning, looked around the courtroom as though it were a party. He had that same unconcerned look he'd had while talking to Dimitri and me. I felt my lips curl into a sneer. A red haze tinged my vision, and I worked hard to be as serene as the other guardians in the room. He finally focused on Lissa, and she flinched at seeing the same eye color she and others of her family had. When he nodded a sort of greeting to her, I felt my control snap. Before I could actually do anything, I felt new words in my mind – Lissa's. Breathe, Rose. Just breathe. It looked like we were going to have to rely on each other to get through this. A heartbeat later, Victor was walking again, off to take his seat on the left side of the room. â€Å"Thanks,† I said to her, once he was gone. â€Å"It's like you can read my mind.† â€Å"No,† she said gently. â€Å"I could just feel your hand.† I looked down at where I'd put my hand over hers. I'd done it to comfort her and had ended up clenching her fingers in my own agitation. â€Å"Yikes,† I said, jerking away and hoping I hadn't broken her bones. â€Å"Sorry.† Queen Tatiana's entrance followed his, which distracted me and helped calm my dark feelings. We all stood when she appeared and then knelt. It was all kind of archaic, but it was a custom the Moroi had held onto over the years. We didn't rise until she took her seat, and then the rest of us were able to sit too. The trial started. One by one, those who had witnessed the events with Victor gave their account of what they'd seen. Largely, this involved the guardians who had pursued Lissa when Victor had taken her away and who had subsequently been part of the raid on Victor's hideout. Dimitri was the last of the guardians to go. On the surface, his testimony wasn't much different than theirs. They'd all been part of the rescue squad, but his part in the story had begun a little earlier. â€Å"I was with my student, Rose Hathaway,† he said. â€Å"She shares a bond with the princess and was the first to sense what had happened.† Victor's lawyer – I couldn't even imagine how they'd gotten anyone to represent him – glanced at some papers and then looked back up at Dimitri. â€Å"Based on the events, it sounds like there was a delay between when she discovered that and when you alerted the others.† Dimitri nodded, his mask of composure never slipping. â€Å"She couldn't act on it because Mr. Dashkov had inflicted a charm on her, one that caused her to attack me.† He spoke the words so levelly, it amazed me. Not even the lawyer seemed to notice anything. Only I could see – or maybe it was just because I knew him – how much it hurt for Dimitri to lie. Oh, he wanted to protect us – wanted to protect me in particular – which was why he was doing this. But it killed a piece of him to stand up there, under oath, and lie. Dimitri was not perfect, no matter how much I thought he was some days, but he always tried to be truthful. Today he couldn't be. â€Å"Mr. Dashkov works with earth magic, and some who use that power and are strong in compulsion can influence our base instincts,† continued Dimitri. â€Å"In this case, he affected her anger and violence through an object.† Off to my left, I heard a sound – like someone choking on their own laughter. The judge, an elderly but fierce Moroi woman, glared. â€Å"Mr. Dashkov, please respect the decorum of this courtroom.† Victor, still smiling, waved his hands in apology. â€Å"I'm terribly sorry, Your Honor and Your Majesty. Something in Guardian Belikov's testimony just tickled my fancy, that's all. It won't happen again.† I held my breath, waiting for the blow to fall. It didn't. Dimitri finished his statement, and then Christian was called up. His part was short. He'd been with Lissa when she'd been taken and had been knocked out. His contribution was being able to ID some of Victor's guardians as the kidnappers. Once Christian sat down, it was my turn. I walked up, hoping I looked calm in front of all those eyes – and in front of Victor. In fact, I went out of my way to not look at him at all. As I said my name and gave my oath to tell the truth, I suddenly felt the full force of what Dimitri must have experienced. I was standing before all these people, swearing I'd be honest, but I would lie in an instant if the lust charm came up. My version was pretty straightforward. I had details to offer from before the night of the kidnapping, like about when Victor had laid his sick traps to test Lissa's power. Otherwise, my story lined up with Dimitri's and the other guardians'. I'd said before that I could lie well, and I brushed over the â€Å"attack† charm part with such ease that no one paid any attention. Except Victor. Despite my refusal to look at him, I inadvertently glanced in his direction when I mentioned the charm. His eyes bored into me, and a small smirk sat on his lips. His smugness, I realized, was more than just because he knew I was lying. It was also because he actually knew the precise truth – and the look he gave me told me that he had that power over me and Dimitri, the power to ruin everything for us in front of all these people – no matter what Dimitri had threatened. All the while, I kept my face calm enough to make Dimitri proud, but inside my chest, my heart thudded loudly. It seemed to last forever, but I knew I was only on the stand for a few minutes. I finished, sagging with relief that Victor hadn't called me out, and then it was Lissa's turn. As the victim, she offered the first new perspective thus far, and everyone there grew caught up in her story. It was compelling; no one had ever heard anything like it. I also realized that, without even trying, Lissa was using her spirit-induced charisma. I think it came from the same place compulsion did. People were enraptured and sympathetic. When Lissa described the torture Victor had put her through to force her to heal him, I saw faces go pale with shock. Even Tatiana's stern mask faltered a little, though whether she felt pity or just simple surprise, I couldn't say. The most amazing thing, though, was how calmly Lissa managed to deliver the story. On the outside, she was steady and beautiful. But as she spoke the words, describing exactly how Victor's henchman had tortured her, she relived the pain and terror of that night. The guy had been an air user, and he'd toyed with that element, sometimes taking it away so she couldn't breathe and at other times smothering her with it. It had been horrible, and I'd experienced it right along with her. In fact, I experienced it with her again now as she spoke about the events on the stand. Each painful detail was still etched in her mind, the pain echoing back to both of us. We were both relieved when her testimony finished. Finally, it was Victor's turn. From the look on his face, you never would have guessed he was on trial. He wasn't angry or outraged. He wasn't contrite. He didn't plead. He looked like we were all hanging out somewhere, like he had nothing in the world to worry about. Somehow, that made me that much angrier. Even when answering, he spoke as though he made perfect sense. When the prosecuting lawyer asked why he'd done what he had, he looked at her as though she were crazy. â€Å"Why, I had no choice,† he said pleasantly. â€Å"I was dying. No one was going to condone me openly experimenting with the princess's powers. What would you have done in my place?† The lawyer ignored that. She was having a hard time keeping the disgust off of her face. â€Å"And you found coaxing your own daughter into turning Strigoi also necessary?† Everyone in the courtroom shifted uncomfortably. One of the most awful things about Strigoi was that they were made, not born. A Strigoi could force a human, a dhampir, or a Moroi into becoming Strigoi if the Strigoi drank the victim's blood and then fed Strigoi blood back to the victim. It didn't matter if the victim wanted it or not, and once she became Strigoi, she lost all sense of her old, moral self. She embraced becoming a monster and killing others to survive. Strigoi converted others if they found someone they thought would strengthen their ranks. Sometimes they did it just out of cruelty. The other way a Strigoi could be made was if a Moroi willingly chose to kill another person during feeding, destroying all the magic and life within themselves. Christian's parents had done that because they'd wanted to be immortal, no matter the cost. Victor's daughter Natalie had done it because he had talked her into it. The extra strength and speed she'd gotten from being a Strigoi had helped her free him, and he'd felt his goals were worth the sacrifice. Again, Victor showed no remorse. His answer was simple. â€Å"Natalie made that decision.† â€Å"Can you say that about everyone you used to meet your ends? Guardian Belikov and Miss Hathaway had no say in what you made them do.† Victor chuckled. â€Å"Well, that's a matter of opinion. I honestly don't think they minded. But if you have time after this case, Your Honor, you might want to consider trying a statutory rape case.† I froze. He'd done it. He'd really done it. I expected everyone in the room to turn and point at Dimitri and me. No one even looked in our direction, though. Most people were giving Victor appalled looks. I realized that was exactly what Victor had known would happen. He just wanted to tease us; he didn't actually expect anyone to take him seriously. Lissa's feelings through the bond confirmed as much. She felt like Victor was trying to shift attention off of himself by making up stories about Dimitri and me. She was horrified that Victor would stoop so low. The judge was too, and she chastised Victor for getting off topic. By that point, most of the questioning was done. The lawyers wrapped up, and it was time for the queen to deliver her verdict. I held my breath again, wondering what she would do. He hadn't denied any of the charges. The evidence was overwhelming, thanks to my friends' testimonies, but as even Victor had pointed out, there was a lot of corruption among royals. The queen could very well decide that she didn't want the scandal involved with imprisoning someone so well known. Even if no one knew the details, his imprisonment would start a buzz. Maybe she didn't want to deal with that. Maybe Victor had bought her off too. But in the end, she found Victor guilty and sentenced him to life in prison – a different prison, not the one at Court. I'd heard stories about Moroi prisons, and they were terrible places. I suspected his new home would be very different from the cell we'd found him in. Victor remained calm and amused throughout it all, just as he had yesterday. I didn't like that. The conversation I'd had with him made me think he wasn't going to accept this as serenely as he pretended. I hoped they'd watch him closely. A gesture from the queen ended formalities. The rest of us stood up and began talking while she surveyed the room with a sharp eye, probably taking notes. Victor's escort started to lead him out. He passed by us again. This time, he stopped and spoke. â€Å"Vasilisa, I trust you've been well.† She didn't answer. She still hated and feared him, but with this verdict, she finally believed he could no longer hurt her. It was like the end of a chapter she'd been stuck in for months. She could finally move on and hopefully let those horrible memories fade. â€Å"I'm sorry we didn't get a chance to talk, but I'm sure we will next time,† he added. â€Å"Come on,† said one of the guardians with him. They led him away. â€Å"He's crazy,† muttered Lissa once he was gone. â€Å"I can't believe he said that stuff about you and Dimitri.† Dimitri was standing behind her. I looked up and met his eyes as he moved past us. His relief mirrored my own. We'd danced with danger today – and we'd won. Christian came up to her and hugged her, holding her for a long time. I watched them fondly, surprised at my own kind feelings for them. When a hand touched my arm, I jumped. It was Adrian. â€Å"You okay, little dhampir?† he asked softly. â€Å"Dashkov said a few †¦ uh †¦ suggestive things.† I stepped closer, keeping my voice low as well. â€Å"No one believed him. I think it's okay. Thanks for asking, though.† He smiled and tapped my nose. â€Å"Two thank-yous in as many days. I don't suppose I'll get to see any, uh, special gratitude?† I scoffed. â€Å"Nope. You'll just have to imagine it.† He gave me a half-hug and released me. â€Å"Fair enough. But I have a good imagination.† We started to leave, and then Priscilla Voda hurried over to Lissa. â€Å"The queen would like to meet with you before you leave. In private.† I glanced over to the raised chair where the queen sat. Her gaze was fixed on us, and I wondered what this could be about. â€Å"Sure,† said Lissa, as confused as I was. To me, she sent through the bond: Will you listen again? I gave her a quick nod before Priscilla spirited her off. I returned to my room, tuning in to Lissa while I packed my things up. It took a little while because Tatiana had to finish a few courtroom formalities, but she finally arrived in the same room as yesterday. Lissa and Priscilla bowed as she entered and waited for the queen to sit. Tatiana made herself comfortable. â€Å"Vasilisa, you need to be in the air soon, so I'll make this brief. I would like to make an offer to you.† â€Å"What kind of an offer, Your Majesty?† â€Å"You'll need to go to college soon.† She spoke like it was a done deal. And yeah, Lissa did plan on going to college, but I didn't like the presumption. â€Å"I understand you're dissatisfied with your choices.† â€Å"Well†¦it's not that I'm dissatisfied, exactly. It's just, all the places Moroi are supposed to go are small. I mean, I understand it's for safety, but I don't know. I'd like to go somewhere bigger. Somewhere prestigious.† Guardians monitored a handful of select colleges in the country so that Moroi could safely attend them. As Lissa had noted, though, they tended to be smaller schools. Tatiana nodded impatiently, like she already knew this. â€Å"I'm going to give you an opportunity that no one else has ever been given, to my knowledge. After graduation, I would like you to come live here, at the Royal Court. You have no family, and I think you'd benefit from learning politics right in the heart of our government. Along with this, we would make arrangements for you to attend Lehigh University. It's less than an hour from here. Have you heard of it?† Lissa nodded. I'd never heard of it, but she was enough of a nerd to have researched every college in the U.S. â€Å"It's a good school, Your Majesty. But†¦ still small.† â€Å"It's bigger than the ones Moroi usually attend,† she pointed out. â€Å"True.† In her mind, Lissa was trying to puzzle out what was going on here. Why was Tatiana making this offer? Especially considering how she'd seemed to disagree with Lissa earlier. There was something weird going on here, and she decided to see how far she could push it. â€Å"The University of Pennsylvania isn't that far either, Your Majesty.† â€Å"That school is enormous, Vasilisa. We couldn't ensure your safety there.† Lissa shrugged. â€Å"Well, then it probably doesn't matter if I go to Lehigh or one of the others.† The queen looked shocked. So did Priscilla. They couldn't believe Lissa seemed indifferent to the offer. Truthfully, Lissa wasn't indifferent. Lehigh was a step up from what she'd expected, and she wanted to go. But she also wanted to see how badly the queen wanted her to go. Tatiana frowned and appeared to be weighing matters. â€Å"Depending on your grades and experiences at Lehigh, we could possibly arrange for you to transfer in a couple years. Again, the safety logistics would be very difficult.† Wow. The queen did want her around. But why? Lissa decided to simply ask. â€Å"I'm very flattered, Your Majesty. And grateful. But why are you offering me this?† â€Å"As the last Dragomir, you're a precious commodity. I'd like to make sure your future is secure. And I do so hate to see bright minds wasted. Besides†¦Ã¢â‚¬  She paused, hesitant to speak her next words. â€Å"You were right to a certain extent. The Moroi do have trouble changing. It could be useful to have a dissenting voice around here.† Lissa didn't answer right away. She was still analyzing this offer from every possible angle. She wished I was there to advise her, but I wasn't sure I'd have much of an opinion. Splitting my guardian duty between the Court and a cool university could be pretty neat. On the other hand, we'd have more freedom elsewhere. In the end, Lissa decided in favor of higher education. â€Å"All right,† she said at last. â€Å"I accept. Thank you, Your Majesty.† â€Å"Excellent,† said Tatiana. â€Å"We'll see that the arrangements are made. You may go now.† The queen made no signs of moving, so Lissa bowed again and scurried to the door, still reeling with this news. Tatiana suddenly called out to her. â€Å"Vasilisa? Will you send your friend here to talk to me? The Hathaway girl?† â€Å"Rose?† she asked in astonishment. â€Å"Why do you – ? Yes, of course. I'll get her.† Lissa hurried toward guest housing, but I met her halfway. â€Å"What's going on?† I asked. â€Å"I have no idea,† said Lissa. â€Å"Did you hear what she said?† â€Å"Yup. Maybe she wants to tell me how I have to be extra careful with you going to that school.† â€Å"Maybe. I don't know.† Lissa gave me a quick hug. â€Å"Good luck. I'll see you soon.† I went to the same room and found Tatiana standing with her hands clasped, posture stiff and impatient. She was dressed like a corporate businesswoman again, with a sleek brown blazer and skirt set. That color wouldn't have been my first choice to go with her dark gray hair, but that was her style adviser's problem, not mine. I bowed just as Lissa had and glanced around the room. Priscilla was gone; only a couple guardians remained. I expected Tatiana to tell me to sit, but instead, she stood up and walked right over to me. Her face did not look happy. â€Å"Miss Hathaway,† she said sharply, â€Å"I'm going to keep this brief. You are going to stop this atrocious affair you're having with my great-nephew. Immediately.†

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101 Intro to Literary Analysis and Woman Hollering Creek Professor Ramos Blog

101 Intro to Literary Analysis and Woman Hollering Creek Analysis vs Summary Quick Write A theme is a central idea in a piece of writing or other work of art. What theme or themes did you notice in â€Å"Woman Hollering Creek?† Analysis vs Summary Summary versus Analysis. What is the difference? What does it mean to analyze literature? Analysis : detailed examination of the elements or structure of something. â€Å"Woman Hollering Creek† La Llorona Prezi What are some themes, recurring topics or ideas, that you have noticed? Lets come up with a list of characters. Arguable Thesis Start with what interests you, to develop a point of analysis. You can choose a character, theme, issue, context, patterns, metaphors, authors style or language, etc. What is standing out to you and then you can develop that into a thesis. You will be arguing that your analysis of the work is valid. Developing Strong Thesis Statements In Woman Hollering Creek, Sandra Cisneros is recasting traditional negative Mexican female archetypes in a positive light. Focus on Thesis and Structure One way to organize your analysis essay: Introduce the text and state your  arguable thesis. Body paragraphs 1-3,4,5,6 cite passages and explain how each supports your thesis and interpretation. Conclusion, sum up your interpretation in light of your analysis Document Sources, works cited. You can choose other ways of organizing, as long as it is clear and   makes sense. Student Video What is a Literary Analysis? Writing a Literary Analysis Presentation Literary Analysis The Art of Quoting According to the book, what is the purpose of a citation? When is the use of a citation appropriate? Claims China  is the largest nation in the world. A McDonald’s  Big Mac ®Ã‚  has 550 calories. Why do these need support? Where can you find it? Quote Sandwich Introduce the quotation p. 46 Quote, relevant Explain Quotation p. 47 Quick Write Why are citations important? How did you find support for the claims? Is it wrong to not cite sources?   Why or Why not? How would you feel if your ideas or work were used without giving you credit? Alternate Interpretation